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Each Grammys ceremony has its enduring performances that can endure as shining moments within the artists’ careers.

After which, there are the duds — the units that the Grammys would simply quite let fade into reminiscence.

So which 2019 Grammys performers earned their proper to carry out at music’s largest night time? Learn on for evaluations of each efficiency at this 12 months’s present. 

Andra Day, Fantasia and Yolanda Edwards, Aretha Franklin tribute

Contemplating the Grammys’ a number of missteps when it got here to tribute performances earlier within the present, they did Aretha Franklin proper by trusting Andra Day, Fantasia and Yolanda Edwards, three artists who might truly do proper by Franklin’s gospel legacy, with their tackle “Pure Lady.” Whether or not Franklin ought to’ve been honored with a lengthier portion of the present than only a single tune, although, is a respectable criticism.

St. Vincent and Dua Lipa, “Masseducation” and “One Kiss”

Dua Lipa and St. Vincent are two artists who know precisely what they’re doing — and, in a uncommon second, the Grammys knew precisely what they have been doing by pairing them up for this efficiency. Each girls are topics of intense attraction amongst their fanbases, and so they each wield their sexualities like swords, making their duet precisely as erotic as their followers might have hoped, as they mirrored one another’s actions carrying matching blunt bobs. Their chemistry was matched by the efficiency with St. Vincent’s “Masseducation” segueing seamlessly into Dua Lipa’s “One Kiss,” in what was truly a transformative pairing of songs.

Extra: Dua Lipa among best-dressed stars on Grammys red carpet

Chloe x Halle, “The place is the Love”

It’s apparent why Beyonce took the twin sister act Chloe x Halle under her wing — and on her excursions — once you’re watching them carry out, as they sound extra like mini-soundalikes of Queen Bey than most of their different R&B friends. The tune they carried out Sunday, Roberta Flack and Donny Hathaway’s “The place is the Love,” was removed from the simplest association to drag off, and so they dealt with it with grace and, extra importantly, vocal dexterity.

Associated: Chloe x Halle on their debut album, ‘Grown-ish’ and Beyonce’s advice


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Brandi Carlile, “The Joke”

Actually, Carlile is a treasure. Whereas higher-profile stars badmouthed the awards or selected to skip them completely, realizing that they’re already too well-known to wish the sort of publicity the Grammys can present, Carlile took a distinct route, seizing her standing because the awards’ most-nominated feminine artist, showing in commercials for the Recording Academy and a bevy of pre-Grammys occasions, plugging LGBT rights each time she might. She’s a tough character to not root for, and watching her carry out “The Joke” felt like a triumph, in addition to an instance of the Grammys’ studying from final 12 months’s errors and really giving their high feminine nominees airtime in the course of the telecast.

Associated: Brandi Carlile recalls coming out at 15, thanks Americana for ‘being my island’

Jennifer Lopez: Motown tribute

Jennifer Lopez received plenty of criticism within the weeks main as much as the Grammys for her rumored Motown tribute, with skeptics asking whether or not Lopez was actually the fitting singer for the job. Positive sufficient, Grammys viewers obtained to see the set in its full glory — if that’s what you’d name it — on Sunday, as Lopez soldiered by way of enduring hits together with “Dancing within the Avenue,” “Please Mr. Postman,” “Cash (That’s What I Need)” and “Do You Love Me.” Even past the questionable racial dynamics of the Grammys’ alternative of J-Lo for a Motown tribute, her efficiency was a testomony to how highly effective the best vocalists have been of that period, and the way not all performers at present can match them. Smokey Robinson granted her an help with “My Woman,” with Alicia Keys stepping in for a second of “Papa Was A Rolling Stone” and Ne-Yo taking part in keys on “One other Star,” however Lopez was tasked with singing “Sq. Biz” all on her personal, one other iffy alternative of the night time.

Associated: The worst dressed stars from Jennifer Lopez to Kylie Jenner

Travis Scott, “Cease Making an attempt To Be God” and “No Bystanders”

The set badly wanted to lose its entire first minute, during which Travis Scott entrusted the vocals of “Cease Making an attempt To Be God” to vocalists James Blake and Philip Bailey, who tried and failed to provide Scott the imaginative opening he presumably wished when he invited them. Issues picked up when the set transitioned to “No Bystanders,” a raucous spotlight off Scott’s 2018 “Astroworld” album that the Grammys gave an appropriately chaotic dwell remedy. Invoking Scott’s maybe-brother-in-law Kanye West’s iconic 2015 BRIT Awards’ performance of “All Day,” during which a crowd of flamethrower-wielding dancers stormed the stage, Scott carried out “No Bystanders” inside an enormous cage with a mob swirling round him, earlier than climbing out and crowdsurfing throughout the ocean of our bodies. It might’ve sounded higher, however then once more, that’s fully lacking the purpose of Scott’s singular dwell presence.

Associated: Maroon 5 delivers a flavorless Super Bowl halftime show with Travis Scott, Big Boi

Girl Gaga, “Shallow”

Let’s begin with the positives, which is Gaga’s knack for showmanship and her want to remodel “Shallow” for the Grammys stage and carry out it not as her Ally character from “A Star is Born,” however in a method that’s nearer to her personal dwell reveals. And for Gaga followers hoping for a high-drama set, that’s precisely what she delivered. Gaga beginning her efficiency at most depth, although, meant there was nowhere for her to construct, and by the point the tune obtained to its famously wordless climax, all there was left to do for Gaga was to over-sing. Gaga didn’t must sing “Shallow” stripped-down and Ally-style, however maybe she might’ve discovered a cheerful medium between the “Shallow” recording and the blown-out model she carried out on the Grammys stage.

Associated: Good luck getting Lady Gaga, Bradley Cooper’s ‘Shallow’ out of your head

Diana Ross, “The Finest Years of My Life,” “Attain Out and Contact (Anyone’s Hand)”

“Thanks for celebrating my birthday!” Diana Ross declared halfway by way of her efficiency, to cheers — and once more, on the finish of her ultimate tune, as she waved goodbye to the group. Does it matter that her birthday is in late March? After all not. While you’re a diva, daily could be your birthday when you declare it so. Ross obtained the icon remedy she deserved from the Grammys, trying the a part of a prima donna from the second she walked onto the stage carrying a cloud of pink material. As completely quippy as she is gifted, she alternately praised and goaded the group, insisting they put their palms within the air: “Don’t be lazy!” Ross might not have acquired the identical quantity of display time as Parton for her personal respective tribute, however she had each bit the presence with half the time.

Dan + Shay, “Tequila”

Not essentially the most memorable second of the night time, Dan Smyers and Shay Mooney didn’t hit a bum notice of their moody tackle their breakthrough hit “Tequila,” making ingesting the aforementioned agave spirit sound completely mournful. Nonetheless, this can be one of many performances that non-superfans might wrestle to recollect in a number of weeks — or, extra realistically, in a number of hours.

Alicia Keys, “Songs I’d Want I’d Written” medley

Alicia Keys gave viewers a sound reminder of the artistry that obtained her to this stage of music fame within the first place — which could be simple to neglect, contemplating she’s nearly extra well-known as of late as a TV persona or a speaking head than the soulful pianist of her youthful years. Keys confirmed simply what number of songs sound simply pretty much as good, or in some instances higher, when she’s the one performing there, making a severe case that she ought to undertake “Lucid Desires” from Juice WRLD and “Use Anyone” from “Kings of Leon.” She additionally graced Grammys viewers with perhaps the purest second within the night time up to now, when she began taking part in a candy snippet of Ella Mai’s “Boo’d Up,” just for the digital camera to chop to Mai within the viewers, trying completely overjoyed.

Extra: Alicia Keys wows social media with jaw-dropping Grammys medley

Cardi B, “Cash” 

Depart it to Cardi B to ship a set that was actually only a string of immediately memeable moments — which appears like a criticism however is really a praise, contemplating how superb she is at taking part in this recreation. Her stripping off her purple velvet cape. Her descending the steps in a showgirl fantasy of a set, surrounded by body-suited dancers in splits. Her climbing atop the crystal piano and posing with aplomb. Her flailing round in a peacock tail of large black feathers. Even her on-again-off-again boo Offset was in on it, with the digital camera slicing to him dancing within the viewers and protruding his tongue audaciously. Was she truly singing? Whereas her critics might crow concerning the efficiency’s questionable lack of dwell vocals, Cardi is aware of higher — and realizes that her visuals, immediately able to be memed, GIFed and disseminated on Instagram, are way more indelible.

Associated: Girl Scout remixes Cardi B’s ‘Money’ to sell cookies

H.E.R., “Onerous Place”

Who’s H.E.R.? That’s a query that many viewers possible went into the Grammys nonetheless asking, after the R&B singer’s shock windfall of nominations this 12 months. Sporting her trademark darkish round glasses onstage, the singer delivered a succinct lesson on why she deserves to be acting on the Grammys stage tonight, hitting all of the marks with an anthemic efficiency of “Onerous Place,” kicking issues up a notch when she began shredding on her clear electrical guitar. However did she make an impression? Whether or not she did sufficient to stay in Grammys viewers’ reminiscences will in all probability rely on whether or not she wins the large classes during which she’s nominated tonight, however her expertise is simple.

Dolly Parton tribute: Katy Perry, Kacey Musgraves, Miley Cyrus, Maren Morris and Little Large City

Thank goodness for Dolly, instructing the youthful women the way it’s completed, with a tribute during which every segment was better than the previous one. Katy Perry and Kacey Musgraves kicked off the efficiency, buying and selling vocals on the least-showy tune of the set, “Right here You Come Once more,” earlier than Parton stormed the stage, serving vocals mainly as sturdy as the ladies half her age round her. To tackle her immortal hit “Jolene,” she was joined by her goddaughter, Miley Cyrus, doing an ideal imitation of Parton’s twang. Subsequent got here a haunting tackle “After the Gold Rush,” made well-known by Neil Younger, with Parton, Cyrus and Maren Morris singing over a bare-bones accompaniment that briefly dropped out for an exciting second of three-part a cappella harmonies. Little Large City emerged subsequent for Parton’s new tune for the “Dumplin’” soundtrack, “Crimson Sneakers,” giving her a couple of minutes to indicate off simply how extremely sturdy her voice nonetheless is. By the point the set ended with a feel-good group singalong of “9 to five,” Parton had satisfied us to simply hand over the entire remainder of the night to her succesful palms.

MusiCares 2019 Individual of the Yr: Dolly Parton is first country singer honored after lifetime of music

Extra MusiCares: Dolly Parton compares her tribute concert to watching porn


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Publish Malone and Crimson Scorching Chili Peppers, “Keep”/”Rockstar”/”Darkish Requirements”

What number of Grammys viewers discovered tonight that Publish Malone might truly sing? A wise transfer of Malone to begin his set on a stool, with an acoustic guitar, taking part in his “Keep” observe, displaying off vocals that anybody who’s seen his Nirvana covers on YouTube is aware of he’s able to. The magic ended as soon as he stood up and promptly bungled his cue for his transition into the way-more-insufferable “Rockstar.” The disappointments continued with the set’s abrupt transition into the Red Hot Chili Peppers’ portion of the efficiency, that includes one in every of their comparatively newer songs, “Darkish Requirements,” with Malone indiscernibly singing backup for Anthony Kiedis. This was one of many Grammys’ most-anticipated performances, if just for comedic worth, and really had a ton of potential for the very-obvious crossovers that might’ve been made between Malone and RHCP’s music. As an alternative, they mainly carried out individually, one other wasted alternative for the awards.

Associated: Post Malone takes a victory lap with ‘Wow’

Janelle Monae, “Make Me Really feel”

Lastly, some life. Monae introduced one in every of her Prince-iest songs to the Grammys and did the Purple One proud along with her electrical guitar and flawless choreography — although she owes the right moonwalk she busted out midway by way of the efficiency to Michael Jackson. A break from the comparatively bland performances that got here earlier than her, Monae transitioned from “Make Me Really feel” to a snippet from “PYNK,” full with the music video’s pussy pants, and ended with a shocking scene, of elevated tiers of dancers that one way or the other by no means distracted from Monae performing under. Even when Monae doesn’t win album of the 12 months tonight, she will get credit score for restoring a pulse to the ceremony, if only for a couple of minutes.

Time’s Up: Janelle Monáe called out the music industry at 2018 Grammys

Kacey Musgraves, “Rainbow”

An excessive amount of echo! An excessive amount of fog! Much less was all the time going to be extra when it got here to Musgraves’ performance tonight, contemplating she’s one of many purest abilities scheduled to sing tonight, and the Grammys might actually simply arm her with a guitar on an empty stage and let her do her factor. That’s principally what the Grammys did, with Musgraves performing her stripped-down ballad “Rainbow” with a easy piano accompaniment, although her pitch-perfect singing didn’t must be Disney princess-fied by the unusual echo that near-airbrushed the character out of her voice.

Extra: Kacey Musgraves stuns Grammys with performance of ‘Rainbow’

Associated: Kacey Musgraves’ ‘Golden Hour’ may be 2018’s best album yet

Shawn Mendes and Miley Cyrus, “In My Blood”

As easy as Grammy performances come, this wasn’t a mash-up between the 2 artists’ songs or a reimagined association, simply Cyrus duetting with Mendes over his completely inoffensive single. Biceps totally out, Mendes was endearing — or wildly boring, relying on whether or not you ask his followers or his haters — as he performed piano earlier than becoming a member of Cyrus onstage, backed by a swelling string part, as a result of what’s a dramatic Grammys efficiency with no string part, really? As attendees of Dolly Parson’s MusiCares tribute noticed when Mendes and Cyrus sang Parton’s basic “Islands within the Stream” collectively, the 2 artists are able to making some beautiful musical moments collectively. It’s a disgrace the Grammys didn’t give them a bit of extra to do.

Camila Cabello, “Havana”

The Grammys definitely gave Camila Cabello fairly the set for her show-opening efficiency, inserting her in an enormous dollhouse surrounded by faux-neon storefronts and a military of colorfully-costumed dancers. And but, at this level in February 2019, it’s been over a 12 months for the reason that launch of “Havana,” and it’s price asking whether or not the Grammys ought to’ve picked one thing a bit of brisker to guide the present. Bonus factors go to Younger Thug’s look, probably the most prolific rappers lately to not earn a single Grammys nomination, although to be trustworthy, he didn’t do a lot however recite his verse whereas hanging numerous poses. Issues livened up as soon as Ricky Martin took the stage in his all-white swimsuit, joined by J. Balvin who did a number of bars — too few, truthfully — of “Mi Gente.” Simply because the stage began melting down into chaos, it was over.

Evaluate: ‘Camila’ confidently looks beyond ‘Havana’ on solo debut album


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